Saturday, April 4th, 2009
Art and Nobility

If consciousness is understood as concern and awareness, concern being the focusing aspect of consciousness and awareness being the scope of it, then it is measured in human terms by emotion and intelligence: sense and sensibility.  Art is wholly concerned with this sort of consciousness: it awakens and strengthens this consciousness within us.  But why?  Do we, who invest so much time in artistic enjoyments and pursuits, understand the meaning of this impulse, or are we merely trying to escape from reality for a time: awakening one consciousness in order to put another to sleep?  Art does not merely reflect the climate of a society, it helps to determine the manner and form into which society develops; and for this reason I think it is important for the members of society and, in particular, for artists and critics to answer this question responsibly.  Is there such a thing as nobility in art?  Is there any standard for art that is not related to technique?     

 

Monday, March 30th, 2009
Grace

God grant me the strength

Always to embrace

Everything you give me

 

Saturday, March 28, 2009
Chapter 1
‘Upon Waking’

His eyes moved under lids that fluttered and subsided in little fits, like wounded birds wings.   
        "Gerry?"
        “He’s awake!” an excited but hushed voice called from the next room.  But Edith didn’t move from her place next to Gerry.  His eyes continued to move, and it even seemed to her that he was smiling, though the change was so subtle that it may have been her imagination.   
        In the corner of the room, fidgeting and frowning unconsciously while looking around at nothing in particular—anything but Edith and the man in the chair, whose forehead she was stroking—a delicately featured man waited painfully for some conclusion to this scene. 
        In the next room, a different sort of drama was unfolding.  Another young man, reposed in a chair identical to that of the unconscious man in the first room—except that he was held to his chair by powerful restraints that as yet no one had been able to remove—had awakened and was looking up and to the right, faintly smiling; his blue eyes were clear and bright but focused somewhere beyond the boundaries of the room’s walls.  The stubble on his face was still only a shadow of a beard, and his muscles showed no signs of atrophy. 
        “Hello.  Do you know your name?” 
        The young man’s eyes had come back to the room and his mouth opened and closed in response to the question, intimating some brief but infinitely important monologue in silence—for no air escaped—and so no one could tell whether he was answering them or asking a desperate question of his own. 
“Your name—do you remember it?  Hey!  Stay with us buddy.” 
        But just then a tumult in the next room put this development on hold.   
“Gerry!”   
“Give him a shock—can we get some help in here!”   
All but one man abandoned the blue eyed young man, rushing robotically into the first, almost identical room.  There was a moment of hushed, intense activity and then some audible sighs of relief as the forgotten overtone of cardiac rebellion subsided into ecstatic and regular blips.   
        But the drama was not concluded.  A loud swear suddenly sounded from the second room, and the relieved occupants of the first were stirred back into frantic activity—ants responding to a cosmic torturer.   
        “His heart just stopped!  I didn’t even notice right away because of all the excitement over there.”  
        More frantic attempts were made.   
        “It’s useless.  He’s dead.”  Silence.  
        “Does anyone know who he is?”  Another, longer silence ensued; no one knew much about Gerry’s activities in these rooms, and they were not obligated to sort it out.  It was a welcome diversion, but they were serious people with serious commitments, and they would not think too much about it.  
        “His name’s M—” she cleared her throat, “His name was Madison.”  Edith stood in the doorway between the rooms, chin lifted, eyes lowered.  The white noise of bustle and hushed conversations, noise that no one had been aware of, died, and everyone heard the change.  There was a sinking feeling, but sudden intense curiosity buoyed them up. 
        Edith was looked at more closely than before, and many seeming contradictions were reconciled in her face, a face so perfectly balanced that it seemed contrived until one looked at the guileless eyes; her mystery was understood as such: her surprising knowledge, her liaison with a man universally not comprehended, her face, her curvaceous body, her guileless eyes.     
        “So, Gerry discussed his research with someone after all?  I apologize.  You are familiar with the deceased?” 
        “I know his name and where he came from, but I’m not sure it’s any good to us yet.  We can’t exactly contact his…family, until we know what’s happened…and that…I—don’t—know.”    Meeting his gaze directly and chanting the final three words in a low marcatto, Edith seemed to grow suddenly older; then she lowered her chin a notch and calmed those momentary waves of emotion back into the ocean of her personage.  And this seemed to settle the matter of who was in charge and whether something must be done.   

 

 

 

 

Show Diary 
Thursday, March 19, 2009
Modified Arts

The show on Thursday was one of my favorites in a while.  The audience was graciously attentive, sound was good, and I befriended a couple of delightful bands, including 'The Autumn Film', from Colorado.  It was nice having some of the art pieces on stage along with mood setting candles, but the mood was really set by the people in attendance.  Also, I got to try out a new, unfinished song...'God in the 22nd Century' or 'Dr. Mann' or 'Alienation'...let me know which title y'all like best.



-EB

 

Monday, March 16, 2009

Epilogue

Upon Waking (Click Here To Listen)

"The first feeling was that of opening my eyes—even before I opened them. I lay still for a while and listened to music in my head. It wasn’t actually music, but the feeling was there: the feeling of hearing some old song in a new context or watching birds fly in slow motion, only it was a greater feeling, because the bird in this case was me.
I had a brief flash of thought—"Why?"—but it seemed an obscenity in the context. So I stopped thinking, and immediately upon doing so awakened to a sensation, a new awareness of an old part of me.
God is looking through my eyes. The words came into my head at the same moment—the one beautiful truth—the one thing, I felt, that justified everything.
I felt in that moment the way a man who has been tortured for several days might when the axe is finally raised: a sort of coming to terms; however, it wasn’t a coming to terms with death but with life. I was willing all of a sudden to accept what had seemed an absurd crime before, and, as silly as it may be, the reason was that at the moment I felt such sublime happiness in the face of everything I had experienced, everything that had been and continues to be such torture to me, that I was willing to sign up for another lifetime of that pain or even a thousand lifetimes, fully knowing all the consequences of this (to the extent that they can be known without actually being felt).
So I lay still for a while, feeling these thoughts without thinking them, and when I actually opened my eyes, everything I saw seemed so mundane in comparison with the previous feeling of opening my eyes that it was at first a disappointment.
But when my eyes had been open for a little while, the normality of everything became normal for me, and I once again saw with my inner eyes (the ones which had opened just before). These eyes colored everything I saw to match my feelings, and therefore, everything appeared incalculably beautiful.
It happened that then, and fortunately only then, those gathered noticed my awakening—who knows, perhaps my eyes had only been open for a second…

And that is how I awoke that day. I was more keenly aware from then on, of how parts of me awoke every day and also of how parts of me went to sleep every day. I think it happens to us all the time; we are constantly waking and falling asleep, dying and coming alive."

-The Narrator